Fashion With Qurrat: Pakistani Model and Actress Mehreen Raheel

Fashion With Qurrat: Pakistani Model and Actress Mehreen Raheel: "So much talent here in Pakistan and Mehreen Raheal is one of Pakistan's leading models, with dozens of product commercials, cover pages of..."

How To Draw Fantasy Creatures

How To Draw Fantasy Creatures

Drawing fantasy creatures is an imaginative concept and a fun drawing process to get into as the limits to anyone's imagination are limitless as there are infinite design possibilities for drawing your own fantasy creatures as most fantasy creatures can be created from combinations of animals and have successfully been inspired and created this way in the past through well known fantasy creatures such as dragons.




Exaggeration of the human form and indeed combining with animal forms create some interesting creature designs and the more you practice at sketching out these concept creature creations then you'll learn to draw some fantastically original creatures of fantasy more often.

Existing creatures from Greek mythology are inspiring for your own creature drawings like Medusa, a half woman and half serpent with snakes for hair.

Ways to get inspired

Try and write a small paragraph that describes what your creature could look like, an example could be:-

"A fat, hairy creature with huge arms and small legs with spiky armour and holding a huge club to batter someone with, also wearing huge boots and the creature has huge horns that twist behind it's fat head."

I find that written descriptions work very well as you can imagine exactly what you write.

Watch the video to see how I start to draw a fantasy creature, I haven't used my written example though as I've started from scratch.

Described Art

My Friend Says About Art.....Anything can be art if it comes from the depth of the mind & bottom of the heart of a human being and if it is represented in the true spirit of the art. If this is the end of Modern Art, what can we call things that come next?

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A Great Art Hero SADEQUAIN’S

THOUGHTS ABOUT SADEQUAIN’S CALLIGRAPHY
Annemarie Schimmel

One of the most exciting experiences of an orientalist is the discovery of mutual relations between various aspects of Islamic culture. The study of the visual arts in Islam excellently complements that of poetry, and poetry can often help to elucidate particular aspects of miniature painting and, even more, of calligraphy. For Islam, the first religion to distinguish between those who were blessed by a Divine Scripture and those who were not, has always largely dwelt upon the importance of the written word. A contemporary historian of medieval philosophy at Harvard has even coined the term “inliberation” God, God’s becoming manifest through a book for Islam, denote the theological concept corresponding to the Christian “incarnation”, God being manifest in a human being.
It is therefore small wonder that the imagery of letters and writing plays such an immense role in the history of Islamic poetry. Beginning with the early Sufis of the 8th and 9th centuries who realized in the letter “alif” the perfect symbol of God’s unity and unicity, there is barely a poet in Arabic, Turkish, and Persian not to mention those writing in Urdu, Sindhi, Punjabi, and Pushto, and even in the vernaculars of Islamic Africa, who has not dwelt upon the imagery of letters, for here he could be sure that his allusions were under-stood by everyone in the Islamic world, including the illiterate at the least sensed the deep meaning of letters, and knew of their mysterious powers.

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SADEQUAIN'S

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